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How to estimate cable lengths before you order

A practical method for sizing cables for installs and shows, so you do not end up six inches short or eighty feet long.

By John Barker • 21 April 2026

Too short is a disaster, too long is just expensive

Order a cable too short and the show stops while someone drives to a hire shop. Order it too long and you are coiling 10 metres of HDMI behind the rack and paying for cable nobody needed. Sizing is one of those small skills that quietly separates the people who run smooth shows from the people who do not.

Here is the method we use to spec cable lengths for installs and shows, without measuring tape gymnastics and without expensive over-ordering.

A cable with ID C101 and length 5m set in H2R Gear
Setting a length on a cable in a plan so the right size ends up in the case

Start with a measured base distance

Whether you are pulling a cable across a stage or up through a ceiling, start with the actual straight-line distance from end to end. Use a tape measure, a laser measurer, or a floor plan if you have one. Round up to the nearest foot or half a metre.

This is your base distance. It is not your cable length.

Add slack for the real world

Cables do not run in straight lines. They go around corners, drop down racks, loop through cable trays and curve over the edges of stages. The slack you add to the base distance is what makes the cable actually reach.

A working rule of thumb:

  • Short runs in a rack or behind a desk: add 25% for service loops and routing.
  • Across a room or stage: add 15% for the path the cable actually takes.
  • Long runs through walls, ceilings or under floors: add 10% to 15% for routing plus another couple of feet at each end for termination.
  • Backstage cable runs that have to clear walkways: add 25% to 30% so the cable can be lifted or rerouted as needed.

A 50ft (15m) straight line in a typical stage setup ends up needing a 60ft (18m) cable. A 12ft (3.5m) run in a rack needs a 15ft (4.5m) cable. The slack is not waste, it is what gets you through the show.

Mind the signal-type limits

Length is not just about reach, it is about whether the signal survives the trip. Each cable type has a sensible working limit.

  • HDMI (passive): comfortable up to 25 to 50 feet (7 to 15m). Beyond that, switch to an active cable, an HDMI extender over Cat6, or convert to SDI.
  • HDMI (active or fibre): 100 to 300 feet (30 to 90m), depending on the cable and resolution.
  • 3G-SDI on RG-6: good for 300 feet (90m) plus. 12G-SDI on quality coax is closer to 150 feet (45m) at the long end.
  • XLR analogue audio: essentially as long as you need, up to 300 feet (90m) plus on balanced lines.
  • Cat6 / Cat6a for NDI, Dante, network: 100 metres (328 feet) maximum per the spec. Longer needs a switch or a media converter in the middle.
  • USB 3.x: miserable beyond 10 feet (3m) without an active extender.

Spec the right cable type for the distance, not the other way around. If you find yourself ordering a 100ft (30m) passive HDMI, that is the moment to switch protocols, not the moment to gamble.

Build a sensible house stock

For touring gear and stock kit, do not buy one of every length. Pick a small set of common lengths and standardise around them.

A typical AV stock looks like:

  • HDMI: 1m, 2m, 5m, 8m (active beyond) / 3ft, 6ft, 15ft, 25ft
  • SDI: 2m, 8m, 15m, 30m / 6ft, 25ft, 50ft, 100ft
  • XLR: 1.5m, 5m, 8m, 15m, 30m / 5ft, 15ft, 25ft, 50ft, 100ft
  • Cat6: 0.3m, 2m, 5m, 8m, 15m, 30m / 1ft, 7ft, 15ft, 25ft, 50ft, 100ft

Round up to the nearest stock length. A 5m run uses an 8m cable. The extra three metres do not hurt, and you have a cable that lives in the case forever rather than a custom length that does one show.

For installs, measure twice and add ten percent

Installs are different from shows. A cable in a wall is staying there. Add a more generous slack allowance, terminate with strain relief, leave a service loop behind each face plate.

For pulls through conduit, add 10% for the wiggle of the actual pull plus enough at each end to dress into the back box. For ceiling runs, add a service loop above each drop. For long runs between racks, leave an extra 18 to 24 inches (45 to 60cm) at each end so the cable can be re-terminated if a connector fails.

The cost of an extra foot of cable is pennies. The cost of pulling a fresh run through a finished wall is hundreds.

Use your plan to do the sums

This is exactly the kind of question a wiring diagram answers for you. If you have already drawn every cable in your plan, the lengths fall out of the diagram, and the cable key on the side of the plan tells you exactly how many of each length you need.

H2R Gear has a cable length calculator built in for the rough sums, and the cable key on every plan tells you how much of each cable type you need to bring. Spec from the plan, order from the cable key, pack from the packlist. Three documents, one workflow, no surprises at the loading dock.

A short pre-order checklist

Before you place that cable order:

  • Measure or estimate the actual path the cable will take
  • Add slack appropriate to the run (15% to 30%)
  • Confirm the cable type can handle the length and signal
  • Round up to your nearest stock length
  • Check the cable key on your plan matches what you are ordering

Two minutes of checking saves two days of waiting for a re-order.

For more on managing cables in your plans, see the cables documentation.

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